अप्सरा आली - Apsara Aali...

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There are two versions of this song. Posting them both here.

Zee talkies awards performance (personal favourite and recommended) -

OST from the film-

कोमल काया की मोहमाया पुनव चांदणं न्हाले

सोन्यात सजले, रुप्यात भिजले रत्नप्रभा तनु ल्याले

ही नटली थटली जशी उमटली चांदणी रंगमहाली

मी यौवन बिजली पाहून थिजली इन्द्रसभा भवताली - 1

अप्सरा आली इन्द्रपुरी तुन खाली

पसरली लाली रत्नप्रभा तनु ल्याली

ती हसली गाली चांदणी रंगमहाली

अप्सरा आली पुनव चांदणं न्हाली- 2

छबीदार सुरत देखणी जणू हिरकणी नार गुलझार

सांगते उमर कंचुकी बापुडी मुकी सोसती भार

शेलटी खुणावी कटी तशी हनुवटी नयन तलवार - 3

ही रती मदभरली नारी ठिणगी शिणगाराची

कस्तुरी दरवळली दारी झुळूक ही वाऱ्याची

ही नटली थटली जशी उमटली चांदणी रंगमहाली

मी यौवन बिजली पाहून थिजली इन्द्रसभा भवताली - 4

अप्सरा आली इन्द्रपुरी तुन खाली

पसरली लाली रत्नप्रभा तनु ल्याली

ती हसली गाली चांदणी रंगमहाली

अप्सरा आली पुनव चांदणं न्हाली - 5

**Translation

(she has) soft and smooth body, is it an illusion OR is it silken starry night of full-moon's day,

endowed with skin glowing with radiance as if drenched in gold, silver and jewels,

she dressed up and appeared in front of us as if the star of venus,

(She says) I am the electrifying lightening of youth, who stunned the court of Indra Himself... - 1

Apsara (celestial nymph) has descended from heavens,

Thus ushered in the bright red colours of dawn due to her body studded with jewels,

she smiled, and the star of venus just got brighter,

Apsara has come, drenched in the calm moonlight... - 2

With her body is well sculpted, with beautiful face which is radiant like a precious diamond, She's a refreshing lady..

Her large and firm breasts in blouse speechlessly hint at her youth,

The delicate and dimpled chin resembles her curvaceously inviting backside and eyes are sharp as sword... - 3

she is Rati, a spark of erotica, overflowing with oomph..

she is fragrant like kastoori (musk) dispersed everywhere by cool breeze,

she dressed up and appeared in front of us as if the star of venus,

(She says)I am the electrifying lightening of youth, who stunned the court of Indra Himself... - 4

Apsara (celestial nymph) has descended from heavens,

(her coming) ushered in the bright red colours of dawn as if that of body studded with jewels,

she smiled, and the star of venus just got brighter,

Apsara has come, drenched in the calm moonlight...- 5

Poet - Guru Thakur

Singer - Bela Shende and Chorus

Music - Ajay-Atul

Choreographer - Phulva Khamkar

Film - Natarang (2010)

One of the very good songs from recent movie, Natarang... The laavni is written by Guru Thakur in style of legendary performer, Patthe Bapurao. The lyrics are extremely erotic, yet very subtle and suggestive, especially the description of the celestial nymph in third stanza... The metaphors used by Guru are so beautiful that once the meaning of the lines dawn, a wide smile of appreciation comes on the face of the listener..

This song is a treat for those who love music. The percussion of this song is especially worth applauding. The rhythm used is Keherva (8 beats per cycle) and organized in four levels of complexity (4, 8, 16, 24 beats in same cycle). Amazing organization of percussion by Ajay-Atul.

Bela Shende is exemplary with her voice. And Of course, Sonali Kulkarni.. man, she looks gorgeous.. From this song onwards, when I hear the word "Apsara" I associate Sonali Kulkarni from this song with that word.. Beautiful Album and fantastic movie...

**Edited later on 08/02/2010 to add a crude translation

What is Dharma - the question revisited...

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 India License.

Following is an account of my conversation with a head-priest of one mother-goddess temple in rural and central India. The name of the priest was Shri Mohan Dev.

In the course of conversation, I asked him, what exactly is Dharma? The response he gave was simple yet succinct.

He said," It is nature of universe and everything in this universe to upgrade and evolve and strive for excellence. To facilitate this upward movement, everything arrives at a mutually acceptable set of rules. In different space, times and contexts, the rules and their interpretation changes. However, what remains constant is the drive to evolve and excel. This intrinsic drive to evolve and excel is called Dharma."

"The set of rules are Baahya-dharma (extrinsic Dharma), which although is important, but is not absolute."

I asked," how does one define Unnati (excellence, drive to move higher)? Because it is relative, different people and societies have different notions of progress in different times. If you say this is the only constant, how do you reconcile with differential interpretations of progress?"

He answered," Progress OR Unnati is defined as "Tamaso ma Jyotirgamaya" (lets move from darkness towards enlightenment). In any time, place and context, Tamaso ma Jyotirgamaya holds true. This is the real Dharma. This includes material, spiritual, political, social, sexual, self-upliftment in every aspect of life.

"The quest to achieve completeness (Poornatva)-complete peace, complete understanding, complete bliss is in fact the most fundamental phenomenon in all humans and other living beings. Even non-living inanimate objects tend to achieve a stable low-energy state."

"As long as the external rules are supporting this movement (towards completeness), they are kept. once they start hindering that movement, those rules are changed."

"The most important thing about Dharma is that in Sanskrit, Dharma is synonymous to Yama, Kaala and Nyaya (Rules, Time and Justice). The rules are devised OR arrived upon by mutual consensus for cordial movement of everybody towards higher level of consciousness. Wherever one is, he strives to move up, even one step higher is in accordance with the basic dharma. Hence Dharma is Just. Dharma is time."

I bowed and left.

One of the hallmarks of my recent India-trip, this 5 minute conversation was. In my previous article, where I discussed the righteousness aspect and duty aspect of dharma, seem to me now like the the outer covering of onion.

Being true and just with self's and surrounding's quest to uplift itself every moment of our life, is in fact following "Dharma".